For we are capable of doing only what we are inclined to do. And again, we truly incline only toward something that in turn inclines toward us, toward our essential being, by appealing to our essential being as the keeper who holds us in our essential being. What keeps us in our essential nature holds us only so long, however, as we for our part keep holding on to what holds us. And we keep holding on to it by not letting it out of our memory. Memory is the gathering of thought.
In Wes Anderson’s latest film, The Grand Budapest Hotel, a writer relates the long and twisting life story of a hotel owner. It’s about youthful love and lifelong obsession, and while the story is original, there’s a credit at the end that reads: “Inspired by the Writings of Stefan Zweig.”
Last month, Anderson told Fresh Air's Terry Gross that until a few years ago, he had never heard of Zweig — and he's not alone. Many moviegoers share Anderson's past ignorance of the man who was once one of the world's most famous and most translated authors.
George Prochnik is out to change that. His forthcoming book is called The Impossible Exile: Stefan Zweig at the End of the World. Check out his conversation with NPR’s Robert Siegel here.
this has to be illegal
Omg I have this lipgloss but it just does not look like that on my white girl lips.